The Chicago Tribune has praised the music of David “Clay” Mettens (b.1990) as “a thing of remarkable beauty,” displaying a “sensitive ear for instrumental color.” His recent work seeks to distill the strange and sublime from the familiar. He reflects upon the experience of wonder in music that ranges from rich and sonorous to bright and crystalline, seeking expressive immediacy in lucid forms and dramatic shapes.
His work has been recognized with a 2016 ASCAP Morton Gould Young Composer Award, the 2015 SCI/ASCAP graduate student commission, and a commission from the American Opera Initiative, premiered in December 2015 by the Washington National Opera at the Kennedy Center. His orchestra piece “Sleeping I am carried…” was selected for the 24th Annual Underwood New Music Readings with the American Composers Orchestra and the 2015 [‘tactus] Young Composers Forum with the Brussels Philharmonic. Subsequently, the Brussels Philharmonic, led by Stéphane Denève, performed the piece in December 2016 at Flagey Studio 4 as part of their Music Chapel Festival. The piece was also the winner of Eastman’s 2014 Wayne Brewster Barlow Composition Prize, and received a premiere with the Eastman School Symphony Orchestra in October 2014. In August 2017, as part of the Grafenegg Festival’s Ink Still Wet workshop, he conducted the premiere of Burn Bright with the Austrian Tonkünstler Orchestra under the supervision of conductor-composer mentor Brad Lubman.
Additionally, his works have been performed by soprano Tony Arnold and the soundSCAPE Festival Sinfonietta in Maccagno, Italy, on the Contempo Series at the University of Chicago, by Ensemble Dal Niente at the 2017 SCI National Conference, the Civitas Ensemble as part of the Ear Taxi Festival in Chicago, and the [Switch~ Ensemble] at the Queens New Music Festival. Saxophonists Chien-Kwan Lin, Timothy McAllister, and Otis Murphy performed his trio Everything that rises at the American Saxophone Academy Faculty Recital in July 2016. At Eastman, his works were featured on OSSIA, Composers’ Forum, Graduate Composers’ Sinfonietta, and Computer Music Center concerts. His compositions for large ensemble have been performed by the University of Florida Symphony Orchestra, the Marshall University Wind Symphony, the Miami University Symphony Band, the College of William & Mary Wind Ensemble, the Elon University Wind Ensemble, and the University of South Carolina Symphonic Winds, among others.
He is currently a student in the PhD composition program at the University of Chicago, studying with Anthony Cheung, Sam Pluta, and Augusta Read Thomas. He earned his masters degree at the Eastman School of Music, where he studied composition with David Liptak, Robert Morris, Carlos Sanchez-Gutierrez, and Ricardo Zohn-Muldoon, and computer music with Allan Schindler. A native of Covington, KY, he completed his undergraduate studies at the University of South Carolina with a degree in music composition and a clarinet performance certificate. He was a recipient of the McNair Scholarship, the top award USC gives to out-of-state students, and the 2013 Arthur M. Fraser Award from the School of Music. There, his composition teachers were John Fitz Rogers and Fang Man. In the summer of 2013, he studied composition at the Brevard Music Center with Robert Aldridge and David Dzubay, and attended the 2014 New Music on the Point Chamber Music Festival.
He has presented his research on the music of Thomas Adès at the Grawemeyer Award for Music Composition 30th Anniversary Conference hosted by the University of Louisville and the first annual THEMUS graduate-student music theory and musicology conference at Temple University. In 2012, he was awarded a USC Magellan Scholar Grant for a research project involving pipe organs, spectral music, and computer music under the guidance of faculty mentor Reginald Bain.